Claire Nettleton, Parisian Ecologies: The City Transformed in Nineteenth-Century Prints and Drawings at the Benton Museum of Art at Pomona College (Claremont: Benton Museum of Art at Pomona College, 2022), 75 illustrated/color.
Marjorie Harth Beebe, Printmaking in France, 1850-1900 (Claremont: Montgomery Art Gallery, 1982), 25.
B. 127

Label for "Parisian Ecologies: The City Transformed in Nineteenth-Century Prints and Drawings" March 24 - June 25, 2022

After the fall of the Second Empire, the Third Republic (1870–1914) was characterized by relative stability, gradual increases in industry, and continued struggles regarding national identity and class structures. In this etching, Buhot depicts the celebration of a national holiday on June 30 (officially moved to July 14 or “Bastille Day” in 1880) on the Boulevard Clichy in his neighborhood of Montmartre, from which he often drew inspiration. The artist is known for his remarque (border), which suggests multiple events and timeframes, and how he incorporated the rural—such as horses and pets—into the urbanized city.

This object has the following keywords:

• Bastille Day
• Clichy
• Montmartre
• Street Scenes

This object was included in the following exhibitions:

• Parisian Ecologies: The City Transformed in Nineteenth-Century Prints and Drawings Benton Museum of Art at Pomona College , 3/24/2022 - 6/25/2022

• Image Dimensions: 12 3/8 x 9 1/4 in. (31.43 x 23.5 cm) Measured by Hudson, Karen

This object has the following bibliographic references:

• Printmaking in France, 1850-1900. Printmaking in France, 1850-1900 Montgomery Art Gallery. Claremont, 1982
  Page Number: 25
• Parisian Ecologies. Parisian Ecologies Benton Museum of Art at Pomona College. Claremont, CA, 2022
  Page Number: 75

This object is a member of the following portfolios: