Leather and beads
x 9 1/16 in. ( x 23 cm)
glass beads and leather
Most examples of Blackfoot beadwork contain no more than three colors and express the Blackfoot fondness for blue, which was not an easily available indigenous pigment. For the Blackfoot, blue referred to the sky and symbolized the regenerative power of the cosmos. After about 1850, Blackfoot beadwork grew finer and more colorful, as a greater range of colored beads in small sizes became available. Color preferences tended toward light backgrounds with medium-value figures edged in darker colors. Light blue was a common substitute for the white backgrounds popular among other Plains beadworkers.
Kathleen Howe, Nuance of Sky: Edgar Heap of Birds Invites Spirit Objects to Join His Art Practice (Claremont: Pomona College Museum of Art, 2013), 22 illustrated/color.
This object has the following keywords:
This object has the following bibliographic references:
Nuance of Sky.
Nuance of Sky
Pomona College Museum of Art.
Page Number: 22
This object is a member of the following portfolios:
Your current search criteria is: Portfolio is "Plains Culture" and [Object]Display Artist is "Blackfoot Blackfoot" and [Object]Century is "19th/20th c".
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