Skip to Content ☰ Open Filter >>

Object Results

Showing 20 of 20

Unknown Photographer

Harold Holmes (upper right) leans out a window in the Desire Housing Projects to hear cheering and see Black Power salutes, November 19, 1969
Vintage wire photograph on paper
6 7/8 x 7 11/16 in. (17.46 x 19.53 cm)

Creation Place: North America
Technique: Photography
Credit Line: Gift of Eric Alterman
Accession Number: P2021.21.1

Harold Holmes (upper right) leans out the window of a unit in the Desire Housing Projects to hear cheering and see Black Power salutes from the crowd. Holmes is part of the Black Panther-affiliated National Committee to Combat Fascism. The Black Panthers say they will die in their headquarters before they will surrender.

Desire Projects were public housing facilities located in the Ninth Ward of New Orleans, Louisiana. The projects were meant to serve the large number of underprivileged black residents in the New Orleans area, but the overall conditions there were deplorable from the moment they opened in the late 1950s. Located in a cypress swamp and dumping ground, Desire was bordered by railroad tracks, the Mississippi River, the Industrial Canal and a corridor of industrial plants. It was known as the poorest housing development in New Orleans. Desire soon became a place of despair, with many residents overwhelmed with problems and with little or no help from the government.

The Black Panthers set up a New Orleans chapter in 1970 by establishing themselves in the Desire projects; the chapter lasted for about three months. It consisted of men and women who created several programs to help the residents. The programs included free breakfasts that helped feed over 100,000 children, free clothing, and donations from merchants. The programs helped establish self-respect, self-discipline, community responsibility and authority, and fundraising and organizing efforts. They asserted self-defense against attacks by police, goons, dogs, and spies. The relationship between the Panthers and the residents of Desire grew strong. After three-months of this positive relationship, the residents’ demands became Panther demands. Residents reciprocated this support, placing themselves between police and Panther headquarters during a raid in November 1970. Many residents were arrested.

Additional confrontations took place between the Black Panther Party and authorities in the Desire projects. One episode was known as the Thirty-Minute War. It occurred after several months of police infiltration into the Panthers. Police cruisers, along with buses and reporters, made their way to Desire on September 15, 1970 around 8:30 am. Hundreds of officers from local, state, and federal authorities arrived at the headquarters of the Black Panthers on Piety Street. About fifteen minutes later, machine gun and automatic weapon fire aimed at the Panther headquarters was heard. Remarkably, there was no bloodshed on either side. The Panthers surrendered. Thirteen people---ranging in age from 14 to 27---were arrested and taken to New Orleans Parish Prison. Each had a $100,000 bond set. Several days after the incident, some Panthers returned to headquarters and reopened. By late October, headquarters was moved to apartment #3315 in Desire. As weeks passed, tensions began to escalate between Panthers and police again. On November 17, 1970, police returned to Desire to permanently evict the Panthers. When they arrived, police were confronted with residents throwing objects at them. At around 11:45 pm, a tank began advancing towards the headquarters building, and members of the community filled the street in a standoff with authorities. Desire leaders had to restrain them from trying to make any advance. Five people were shot, but no deaths resulted in this second confrontation.

On recto: typewritten title and date. On verso: newspaper stamp.

Donated to the Benton Museum of Art at Pomona College by Eric Alterman on December 16, 2021.

Sheet: 7 x 9 5/16

Wire photographs were originally transmitted over phonelines, then later, by satellite. They were first used in the early 1920s. Associated Press became a leader with this. After pigment touch-ups, etc., the print is put into a drum (like a drum scanner). The image gets converted into audio tones that are transmitted. The tones are received and beamed onto photo-sensitive paper. Wire photographs are copies without originals---they are hybrid, transmitted objects. (Britt Salvesen, Curator and Department Head, Photography Department, Los Angeles County Museum of Art, March 30-31, 2022)

Keywords Click a term to view the records with the same keyword
This object has the following keywords:

Additional Images Click an image to view a larger version

  • Image Dimensions: 6 7/8 x 7 11/16 in. (17.46 x 19.53 cm)

Your current search criteria is: Keyword is "QBD" and [Object]Display Artist is "Unknown Photographer".

The content on this website is subject to change as collection records are researched and refined and may be subject to copyright restrictions.
For further inquiries, contact Associate Director/Registrar Steve Comba at