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Exhibition list 2020

Showing 1 to 25 of 55 Records

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Title Artist Medium & Support Creation Date
Rebecca & Steve Inside The Gallery, from the Claremont Series   Saveri, Elizabeth   Oil on panel  2000 
Student Hanging Show   Saveri, Elizabeth   Oil on panel  2000 
Pedestal, from the Claremont Series   Saveri, Elizabeth   Oil on panel  2000 
Hallway Inside Gallery   Saveri, Elizabeth   Oil on panel  2000 
Montgomery Gallery, Front Door, from the Claremont Series   Saveri, Elizabeth   Oil on panel  2000 
Sky Sliver, Sunny Day   Saveri, Elizabeth   Oil on panel  2000 
Outside Rebecca & Steve's Offices (with bulletin board with flyers) from the Claremont Series   Saveri, Elizabeth   Oil on panel  2000 
Paint Buckets Outside, from the Claremont Series   Saveri, Elizabeth   Oil on panel  2000 
Gallery Being Remodeled, With Painter, from the Claremont Series   Saveri, Elizabeth   Oil on panel  2000 
Gallery Being Remodeled, Empty, from the Claremont Series   Saveri, Elizabeth   Oil on panel  2000 
Exit Sign   Saveri, Elizabeth   Oil on panel  2000 
The Advantages Of Being A Woman Artist   Guerrilla Girls   Offset Lithography on paper  1988 
Do Women Have To Be Naked To Get Into The Met. Museum?   Guerrilla Girls   Offset Lithography on paper  1989 
What's The Difference Between A Prisoner Of War And A Homeless Person?   Guerrilla Girls   Offset Lithography on paper  1991 
Los Disparates, 1st edition, plate 10, Caballo raptor / La mujer y el potro, que los dome otro (Abducting horse / A woman and a horse, let someone else master them)   Goya, Francisco de   Etching and aquatint on paper  1864 
Los Disparates, 1st edition, plate 11, Disparate pobre (Poor folly)   Goya, Francisco de   Etching and aquatint on paper  1864 
Los Disparates, 1st edition, plate 12, Disparate alegre / Si Marina bayló, tome lo que halló (Merry folly / If Marina will dance...)   Goya, Francisco de   Etching and aquatint on paper  1864 
Los Disparates, 1st edition, plate 14, Disparate de Carnaval / Alegrias antruejo, que mañana sera ceniza (Carnival folly / Rejoice, for tomorrow you will be ashes)   Goya, Francisco de   Etching and aquatint on paper  1864 
Los Disparates, 1st edition, plate 15, Disparate claro / Sin recomendarse a Dios ni al Diablo (Evident folly / Without recommending oneself to God or to the Devil)   Goya, Francisco de   Etching and aquatint on paper  1864 
Los Disparates, 1st edition, plate 16, Las exhortaciones / Sanan cuchilladas mas no malas palabras (The exhortations / Wounds heal quicker than hasty words)   Goya, Francisco de   Etching and aquatint on paper  1864 
Los Disparates, 1st edition, plate 17, La lealtad / El que no te ama, burlando te difama (A man mocked / He who doesn't like you will defame you in jest)   Goya, Francisco de   Etching and aquatint on paper  1864 
Los Disparates, 1st edition, plate 18, Disparate fúnebre / Dios los cria y ellos se juntan (Funeral folly / God creates them and they join together)   Goya, Francisco de   Etching and aquatint on paper  1864 
Los Disparates, 1st edition, plate 4, Bobalicón / Tras el vicio viene el fornico (The Dancing Giant / After vice comes fornication)   Goya, Francisco de   Etching and aquatint on paper  1864 
Hillside in Picardie   Jenkins, Hannah Tempest   Oil on canvas  1890 
waspwaste   Shelton, Peter   Bronze (metal)  2004 

Your current search criteria is: Portfolio is "In Our Care".




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For further inquiries, contact Associate Director/Registrar Steve Comba at steven.comba@pomona.edu.