|
Title
|
Artist
|
Medium & Support
|
Creation Date
|
|
Rebecca & Steve Inside The Gallery, from the Claremont Series
|
Saveri, Elizabeth
|
Oil on panel
|
2000
|
|
Student Hanging Show
|
Saveri, Elizabeth
|
Oil on panel
|
2000
|
|
Pedestal, from the Claremont Series
|
Saveri, Elizabeth
|
Oil on panel
|
2000
|
|
Hallway Inside Gallery
|
Saveri, Elizabeth
|
Oil on panel
|
2000
|
|
Montgomery Gallery, Front Door, from the Claremont Series
|
Saveri, Elizabeth
|
Oil on panel
|
2000
|
|
Sky Sliver, Sunny Day
|
Saveri, Elizabeth
|
Oil on panel
|
2000
|
|
Outside Rebecca & Steve's Offices (with bulletin board with flyers) from the Claremont Series
|
Saveri, Elizabeth
|
Oil on panel
|
2000
|
|
Paint Buckets Outside, from the Claremont Series
|
Saveri, Elizabeth
|
Oil on panel
|
2000
|
|
Gallery Being Remodeled, With Painter, from the Claremont Series
|
Saveri, Elizabeth
|
Oil on panel
|
2000
|
|
Gallery Being Remodeled, Empty, from the Claremont Series
|
Saveri, Elizabeth
|
Oil on panel
|
2000
|
|
Exit Sign
|
Saveri, Elizabeth
|
Oil on panel
|
2000
|
|
The Advantages Of Being A Woman Artist
|
Guerrilla Girls
|
Offset Lithography on paper
|
1988
|
|
Do Women Have To Be Naked To Get Into The Met. Museum?
|
Guerrilla Girls
|
Offset Lithography on paper
|
1989
|
|
What's The Difference Between A Prisoner Of War And A Homeless Person?
|
Guerrilla Girls
|
Offset Lithography on paper
|
1991
|
|
Los Disparates, 1st edition, plate 10, Caballo raptor / La mujer y el potro, que los dome otro (Abducting horse / A woman and a horse, let someone else master them)
|
Goya, Francisco de
|
Etching and aquatint on paper
|
1864
|
|
Los Disparates, 1st edition, plate 11, Disparate pobre (Poor folly)
|
Goya, Francisco de
|
Etching and aquatint on paper
|
1864
|
|
Los Disparates, 1st edition, plate 12, Disparate alegre / Si Marina bayló, tome lo que halló (Merry folly / If Marina will dance...)
|
Goya, Francisco de
|
Etching and aquatint on paper
|
1864
|
|
Los Disparates, 1st edition, plate 14, Disparate de Carnaval / Alegrias antruejo, que mañana sera ceniza (Carnival folly / Rejoice, for tomorrow you will be ashes)
|
Goya, Francisco de
|
Etching and aquatint on paper
|
1864
|
|
Los Disparates, 1st edition, plate 15, Disparate claro / Sin recomendarse a Dios ni al Diablo (Evident folly / Without recommending oneself to God or to the Devil)
|
Goya, Francisco de
|
Etching and aquatint on paper
|
1864
|
|
Los Disparates, 1st edition, plate 16, Las exhortaciones / Sanan cuchilladas mas no malas palabras (The exhortations / Wounds heal quicker than hasty words)
|
Goya, Francisco de
|
Etching and aquatint on paper
|
1864
|
|
Los Disparates, 1st edition, plate 17, La lealtad / El que no te ama, burlando te difama (A man mocked / He who doesn't like you will defame you in jest)
|
Goya, Francisco de
|
Etching and aquatint on paper
|
1864
|
|
Los Disparates, 1st edition, plate 18, Disparate fúnebre / Dios los cria y ellos se juntan (Funeral folly / God creates them and they join together)
|
Goya, Francisco de
|
Etching and aquatint on paper
|
1864
|
|
Los Disparates, 1st edition, plate 4, Bobalicón / Tras el vicio viene el fornico (The Dancing Giant / After vice comes fornication)
|
Goya, Francisco de
|
Etching and aquatint on paper
|
1864
|
|
Hillside in Picardie
|
Jenkins, Hannah Tempest
|
Oil on canvas
|
1890
|
|
waspwaste
|
Shelton, Peter
|
Bronze (metal)
|
2004
|
by Artist (30)
In Our Care