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Title Artist Medium & Support Creation Date
Los Desastres de la Guerra, 1st edition, plate 2, Con razon ó sin ella (Right or wrong)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 4, Las mugeres dan valor (The women give courage)   Goya, Francisco de   Etching and aquatint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 5, Y son fieras (And they are like wild beasts)   Goya, Francisco de   Etching and aquatint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 9, No quieren (They don't want to)   Goya, Francisco de   Etching and aquatint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 10, Tampoco (Nor these)   Goya, Francisco de   Etching on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 11, Ni por esas (Neither do these)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 13, Amarga presencia (Bitter presence)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, working proof, plate 13, Amarga presencia (Bitter presence)   Goya, Francisco de   Etching and drypoint on paper  c. 1810 
Los Desastres de la Guerra, 1st edition, plate 16, Se aprochevan (They avail themselves)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 19, Ya no hay tiempo (There isn't time now)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 26, No se puede mirar (One can't look)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 28, Populacho (Rabble)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 29, Lo merecia (He deserved it)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 30, Estragos de la guerra (Ravages of war)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 31, Fuerte cosa es! (A tough one, this!)   Goya, Francisco de   Etching and aquatint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 32, Por qué? (Why?)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 33, Qué hai que hacer mas? (What more can be done?)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 34, Por una navaja (On account of a knife)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 35, No se puede saber por qué (One doesn't know why)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 36, Tampoco (Nor this time)   Goya, Francisco de   Etching and aquatint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 37, Esto es peor (This is worse)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 39, Grande hazaña! Con muertos! (An heroic feat! With dead men!)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 46, Esto es malo (This is bad)   Goya, Francisco de   Etching and drypoint on paper  1863 
Under the threat of Nazi guns, these defenseless Jews hold their hands high and line up against a wall during a round-up in Warsaw’s ghetto   Unknown Photographer   Vintage ferrotyped gelatin silver print with applied pigment on paper  September 1942 
There was no military objective in this Burmese village, which was bombed unmercifully by the Japanese   Unknown Photographer   Vintage ferrotyped gelatin silver print on paper  May 1942 

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