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Title Artist Medium & Support Creation Date
The Custody of a Criminal Does Not Call for Torture   Goya, Francisco de   Etching and drypoint on paper  1859 
Los Caprichos, 1st edition, plate 4, El de la rollana (Nanny's boy)   Goya, Francisco de   Etching and aquatint on paper  1799 
Los Caprichos, 1st edition, plate 8, Que se la llevaron! (They carried her off!)   Goya, Francisco de   Etching and aquatint on paper  1799 
Los Caprichos, 1st edition, plate 11, Muchachos al avio (Lads making ready)   Goya, Francisco de   Etching and aquatint on paper  1799 
Los Caprichos, 1st edition, plate 12, A caza de dientes (Out hunting for teeth)   Goya, Francisco de   Etching and aquatint on paper  1799 
Los Caprichos, 1st edition, plate 21, Qual la descañonan! (How they pluck her!)   Goya, Francisco de   Etching and aquatint on paper  1799 
Los Caprichos, 1st edition, plate 22, Pobrecitas! (Poor little girls!)   Goya, Francisco de   Etching and aquatint on paper  1799 
Los Caprichos, 1st edition, plate 25, Si quebró el Cantaro (If he broke the pot)   Goya, Francisco de   Etching and aquatint on paper  1799 
Los Caprichos, 1st edition, plate 32, Por que fue sensible (Because she was susceptible)   Goya, Francisco de   Etching and aquatint on paper  1799 
Los Caprichos, 1st edition, plate 34, Las rinde el Sueño (Sleep overcomes them)   Goya, Francisco de   Etching and aquatint on paper  1799 
Los Caprichos, 1st edition, plate 38, Brabisimo! (Bravo!)   Goya, Francisco de   Etching and aquatint on paper  1799 
Los Caprichos, 1st edition, plate 56, Subir y bajar (To rise and to fall)   Goya, Francisco de   Etching and aquatint on paper  1799 
Los Desastres de la Guerra, 1st edition, plate 9, No quieren (They don't want to)   Goya, Francisco de   Etching and aquatint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 11, Ni por esas (Neither do these)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 13, Amarga presencia (Bitter presence)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, working proof, plate 13, Amarga presencia (Bitter presence)   Goya, Francisco de   Etching and drypoint on paper  c. 1810 
Los Desastres de la Guerra, 1st edition, plate 14, Duro es el paso! (It's a hard step!)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 15, Y no hai remedio (And there is no help)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 19, Ya no hay tiempo (There isn't time now)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 26, No se puede mirar (One can't look)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 31, Fuerte cosa es! (A tough one, this!)   Goya, Francisco de   Etching and aquatint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 33, Qué hai que hacer mas? (What more can be done?)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 34, Por una navaja (On account of a knife)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 35, No se puede saber por qué (One doesn't know why)   Goya, Francisco de   Etching and drypoint on paper  1863 
Los Desastres de la Guerra, 1st edition, plate 36, Tampoco (Nor this time)   Goya, Francisco de   Etching and aquatint on paper  1863 

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