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Title
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Artist
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Medium & Support
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Creation Date
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La Tauromaquia, 1st edition, plate 1, Modo con que los antiguos españoles cazaban los toros á caballo en el campo (How the original Spanish inhabitants hunted bulls on horseback in the wild)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 2, Otro modo de cazar á pie (Another way of hunting on foot)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 3, Los moros establecidos en España, prescindiendo de las supersticiones de su alcorán, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors living in Spain, disregarding the teaching of the Koran...)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 4, Capean otro en cerrado (Playing another bull with a cape in an enclosure)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 5, El animoso moro Gazul es el primer que lanceó toros en regla (The daring Moor Gazul was the first to spear bulls by a set of rules)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 6, Los moros hacen otro capeo en plaza con su albornoz (The Moors play another bull in the ring using their cloaks)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 7, Origen de los arpones ó banderillas (Origin of the harpoons or banderillas)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 8, Cogida de un moro estando en la plaza (A Moor gored by a bull in the ring)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 9, Un caballero español mata un toro después de haber perdido el caballo (A Spanish nobleman killing a bull after losing his mount)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 10, Carlos V lanceando un toro en la plaza de Valladolid (Charles V spearing a bull in the ring at Valladolid)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 11, El Cid Campeador lanceando otro toro (El Cid Campeador spearing another bull)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 12, Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (A bull hamstrung by a mob with pikes, crescent spears, banderillas, and other implements)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 13, Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish nobleman breaking short lances without the help of assistants)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 14, El diestrísimo estudiante de Falces, embozado burla al toro con sus quiebros (The able apprentice of Falces, his cape wrapped around him, taunting the bull with his body)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 15, El famoso Martincho poniendo banderillas al quiebro (The famous Martincho placing banderillas while playing the bull with his movements)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 16, El mismo vuelca un toro en la plaza de Madrid (The same bullfighter felling a bull in the ring at Madrid)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 17, Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors surrounding themselves with donkeys to defend themselves against a bull, whose horns are tipped with balls)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 18, Temeridad de Martincho en la plaza de Zaragoza (Display of defiance by Martincho at the ring at Zaragoza)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 19, Otra locura suya en la misma plaza (Another stunt by Martincho in the same ring)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 20, Ligereza y atrevimiento de Juanito Apiñani en la de Madrid (A display of agility and daring by Juanito Apiñani in [the ring] at Madrid)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 21, Desgracias acaecidas en el tendido de la plaza de Madrid y muerte del alcalde de Torrejon (Tragedy in the front row of the ring at Madrid and the death of the mayor of Torrejón)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 22, Valor varonil de la célebre Pajuelera en la plaza de Zaragoza (Manly display of courage by the famous Pajuelera in the ring at Zaragoza)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 23, Mariano Ceballos, alias El Indio, mata el toro desde su caballo (Mariano Ceballos, alias El Indio, killing a bull from his horse)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 24, El mismo Ceballos montado sobre un toro quiebra rejones en la plaza de Madrid (The very same Ceballos mounted on a bull breaking short lances in the ring at Madrid)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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La Tauromaquia, 1st edition, plate 25, Echan perros al toro (Dogs are set loose upon the bull)
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Goya, Francisco de
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Etching and aquatint on paper
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1815-1816
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