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Cover thumbnail for In Our Care In Our Care

Exhibition list 2020

Showing 13 to 24 of 55 Records

Image of Do Women Have To Be Naked To Get Into The Met. Museum?
Do Women Have To Be Naked To Get Into The Met. Museum?

Guerrilla Girls
Offset Lithography on paper
20th c American Graphic Arts

Image of What's The Difference Between A Prisoner Of War And A Homeless Person?
What's The Difference Between A Prisoner Of War And A Homeless Person?

Guerrilla Girls
Offset Lithography on paper
20th c American Graphic Arts

Image of Los Disparates, 1st edition, plate 10, Caballo raptor / La mujer y el potro, que los dome otro (Abducting horse / A woman and a horse, let someone else master them)
Los Disparates, 1st edition, plate 10, Caballo raptor / La mujer y el potro, que los dome otro (Abducting horse / A woman and a horse, let someone else master them)

Francisco de Goya
Etching and aquatint on paper
19th c Spanish Graphic Arts

Image of Los Disparates, 1st edition, plate 11, Disparate pobre (Poor folly)
Los Disparates, 1st edition, plate 11, Disparate pobre (Poor folly)

Francisco de Goya
Etching and aquatint on paper
19th c Spanish Graphic Arts

Image of Los Disparates, 1st edition, plate 12, Disparate alegre / Si Marina bayló, tome lo que halló (Merry folly / If Marina will dance...)
Los Disparates, 1st edition, plate 12, Disparate alegre / Si Marina bayló, tome lo que halló (Merry folly / If Marina will dance...)

Francisco de Goya
Etching and aquatint on paper
19th c Spanish Graphic Arts

Image of Los Disparates, 1st edition, plate 14, Disparate de Carnaval / Alegrias antruejo, que mañana sera ceniza (Carnival folly / Rejoice, for tomorrow you will be ashes)
Los Disparates, 1st edition, plate 14, Disparate de Carnaval / Alegrias antruejo, que mañana sera ceniza (Carnival folly / Rejoice, for tomorrow you will be ashes)

Francisco de Goya
Etching and aquatint on paper
19th c Spanish Graphic Arts

Image of Los Disparates, 1st edition, plate 15, Disparate claro / Sin recomendarse a Dios ni al Diablo (Evident folly / Without recommending oneself to God or to the Devil)
Los Disparates, 1st edition, plate 15, Disparate claro / Sin recomendarse a Dios ni al Diablo (Evident folly / Without recommending oneself to God or to the Devil)

Francisco de Goya
Etching and aquatint on paper
19th c Spanish Graphic Arts

Image of Los Disparates, 1st edition, plate 16, Las exhortaciones / Sanan cuchilladas mas no malas palabras (The exhortations / Wounds heal quicker than hasty words)
Los Disparates, 1st edition, plate 16, Las exhortaciones / Sanan cuchilladas mas no malas palabras (The exhortations / Wounds heal quicker than hasty words)

Francisco de Goya
Etching and aquatint on paper
19th c Spanish Graphic Arts

Image of Los Disparates, 1st edition, plate 17, La lealtad / El que no te ama, burlando te difama (A man mocked / He who doesn't like you will defame you in jest)
Los Disparates, 1st edition, plate 17, La lealtad / El que no te ama, burlando te difama (A man mocked / He who doesn't like you will defame you in jest)

Francisco de Goya
Etching and aquatint on paper
19th c Spanish Graphic Arts

Image of Los Disparates, 1st edition, plate 18, Disparate fúnebre / Dios los cria y ellos se juntan (Funeral folly / God creates them and they join together)
Los Disparates, 1st edition, plate 18, Disparate fúnebre / Dios los cria y ellos se juntan (Funeral folly / God creates them and they join together)

Francisco de Goya
Etching and aquatint on paper
19th c Spanish Graphic Arts

Image of Los Disparates, 1st edition, plate 4, Bobalicón / Tras el vicio viene el fornico (The Dancing Giant / After vice comes fornication)
Los Disparates, 1st edition, plate 4, Bobalicón / Tras el vicio viene el fornico (The Dancing Giant / After vice comes fornication)

Francisco de Goya
Etching and aquatint on paper
19th c Spanish Graphic Arts

Image of Hillside in Picardie
Hillside in Picardie

Hannah Tempest Jenkins
Oil on canvas
19th/20th c American Paintings

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